Nomadland (2020)

A few years ago, I was speaking to a friend of mine about my indifference towards Alfonso Cuaron’s Roma.  “It’s a technically well-made film,” he noted.  “But what did it really have to say?” Continue reading “Nomadland (2020)”

A few years ago, I was speaking to a friend of mine about my indifference towards Alfonso Cuaron’s Roma.  “It’s a technically well-made film,” he noted.  “But what did it really have to say?” Continue reading “Nomadland (2020)”

A few years ago, I was speaking to a friend of mine about my indifference towards Alfonso Cuaron’s Roma.  “It’s a technically well-made film,” he noted.  “But what did it really have to say?” Continue reading “Nomadland (2020)”

The Best Films of 2020

Admittedly I used the pandemic as an opportunity to watch older films rather than new ones, erasing some major blindspots for myself (including The Red Shoes, Ordet, Céline and Julie Go Boating, and Dekalog) and revisiting several of my favorite pictures (The Big Heat, Alice in the Cities, and Stagecoach). Continue reading “The Best Films of 2020”

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